Dancing the possible: An extended review of Kun-Yang Lin/Dancers The Faith Project/The Door | Intellect Skip to content
1981
Volume 5, Issue 2
  • ISSN: 2051-7068
  • E-ISSN: 2051-7076

Abstract

In March 2018, the Philadelphia-based Kun-Yang Lin/Dancers (KYL/D) performed The Faith Project/The Door, an hour-long concert dance that taps a long-flowing stream of the American modern dance tradition: its critical, constructive engagement with questions concerning religion. In this piece, artistic director Lin explores the ways in which contemporary modern dance can serve as a resource for promoting mutual understanding among persons who hold different religious beliefs. In both the choreographic process and premiere performances of The Faith Project/The Door, Lin draws upon his own CHI Awareness Practice to help his dance artists understand and enact their own as well as other people’s heart-opening commitment to religious belief and ritual – that is, their faith. This article describes the generative ideas, creative process, and final performances of The Faith Project/The Door to demonstrate how modern dance may help bring forth a world in which humans communicate respectfully across religious differences.

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/content/journals/10.1386/dmas.5.2.165_1
2018-09-01
2024-04-24
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http://instance.metastore.ingenta.com/content/journals/10.1386/dmas.5.2.165_1
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  • Article Type: Article
Keyword(s): bodily becoming; dance; faith; Kun-Yang Lin; religion; spirituality
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