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‘Play it Again, Sam’ – intertextuality, authorship and expectations in The Bloody Olive
- Source: Short Film Studies, Volume 4, Issue 1, Apr 2014, p. 95 - 98
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- 01 Apr 2014
Abstract
Whether early literary adaptations or postmodern, pop culture stuffed millennium movies, cinema has continually showcased its penchant for intertextuality. Simultaneously, genre films have constructed a network of paradigms allowing discerning audiences to expect the previously unexpected. These interconnecting elements are prevalent, and toyed with, throughout short film noir pastiche The Bloody Olive.
© Intellect