Labyrinths of Conjecture: The Gothic Elsewhere in Jane Austen's Emma
In recent criticism, Jane Austen's Northanger Abbey has been reconsidered as a comic rather than mock-Gothic novel, shifting its mockery onto a variety of other targets: domineering men, unwary readers, the violence underpinning English domesticity. I argue that Austen continues her engagement with the Gothic, beyond Northanger Abbey, using Emma as an exemplary case. Emma not only includes explicit mentions of Gothic novels such as Ann Radcliffe's The Romance of the Forest, but implicitly reformulates the relationships between Female Gothic figures: finding a frail, victimised heroine in Jane Fairfax and a seductive femme fatale in Emma herself.
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Document Type: Research Article
Affiliations: Edge Hill University
Publication date: May 1, 2016
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- The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.
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