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The Postmodern Evolution of Telepathy: from Dracula to the Twilight Saga

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This article will analyse (the lack of) telepathic connection between the characters of Edward and Bella in Meyer's Twilight Saga and compare it to the subliminal link between the Transylvanian vampire and Mina in Dracula. The lack of a telepathic bond between the two characters will be read as a contradiction of the original concept of telepathy. The Twilight Saga is interpreted as a postmodern representation of vampires which both reprises and subverts the precedent literary and cinematographic narratives of such ‘monsters’.
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Keywords: Dracula; Stephenie Meyer; Twilight; monstrosity; parody; postmodernism; telepathy; vampire

Document Type: Research Article

Affiliations: Università degli Studi di Cagliari

Publication date: May 1, 2013

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  • The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.

    Gothic Studies is also available in an unrivalled electronic collection, Manchester Gothic that also includes 40 eBooks on gothic literature and culture written by leading names in the field and covers literature, film, television, theatre and visual arts, dating from the eighteenth century to the present day.

    Manchester Gothic aims to explain why gothic studies is so prevalent in the fields of art, film, literature and culture by providing easy access to digital texts, essays and studies in all things gothic. From the study of gothic and death to monsters, vampires, werewolves and ghosts as well as studies on visionaries such as Terry Gilliam, Alan Moore and Terence Fisher; Manchester Gothic brings them all together in one easy to use resource see Manchester Gothic.
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