Sullied Blood, Semen and Skin: Vampires and the Spectre of Miscegenation
This article explores the trend in contemporary vampire media to highlight racially-charged issues, demonstrating a consciousness of the way the vampire has been used in conjunction with racial stigmatisation. While the traditional figure of the vampire spoke strongly to late nineteenth- and early twentieth-century white American fears of miscegenation, I argue that some contemporary vampire narratives, such as Blade (1998), Underworld (2003), and True Blood (2008-), rewrite the figure in order to question and/or undo the link between ‘monstrosity’ and racial otherness. Central to this task is not only the repositioning and characterisation of the vampire, but also — considering that the female body was once perceived as the locus for racial purity — that of the heroine.
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Document Type: Research Article
Affiliations: University of Geneva
Publication date: May 1, 2013
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- The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.
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