‘Bloody hell. Sodding, blimey, shagging, knickers, bollocks. Oh God, I'm English’: Translating Spike
Buffy the Vampire Slayer has become a cult series. The show has been broadcast worldwide and vampire Spike has been travelling around the world; or rather his translated version has, reaching many destinations. In France there are two translated versions of Buffy the Vampire Slayer, one dubbed and the other subtitled. This article examines the significance of Spike's Britishness against the American background where he lives. The analysis considers his performance in the original and in the translation to show how British Spike ‘sounds’ in French. The article ultimately reflects on Spike's vampiric otherness and how translation might be used to efface or reduce otherness.
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Document Type: Research Article
Affiliations: University of Edinburgh
Publication date: May 1, 2013
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- The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.
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