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Nathalie Meidhof. Alexandre Étienne Chorons Akkordlehre: Konzepte, Quellen, Verbreitung. Olms: Hildesheim, 2016. ISBN 978-34-87-15349-0. 282 pp. €39.80.

Steven Vande Moortele. The Romantic Overture and Musical Form from Rossini to Wagner. Cambridge: Cambridge University Press, 2017. ISBN 978-11-07-16319-5. 302 pp. £64.99.

David Bard-Schwarz and Richard Cohn, eds. David Lewin's Morgengruß: Text, Context, Commentary. Oxford Studies in Music Theory. New York and Oxford: Oxford University Press, 2015. ISBN 978-01-998-4478-4 ix + 206 pp. $55.00.
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Keywords: ANALYSIS; CHORON; FORMENLEHRE; FÉTIS; GRAND SONATINA; HARMONIC THEORY; METHODOLOGY; OVERTURE; PHENOMENOLOGY; RAMEAU; SCHUBERT; SONATA DEFORMATION; SONATA FORM; TONALITY

Document Type: Book Review

Publication date: 01 April 2018

More about this publication?
  • Music Theory and Analysis (MTA) International Journal of the Dutch-Flemish Society for Music Theory

    Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It has a special interest in the interplay between theory and analysis, as well as in the interaction between European and North-American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.

    Each issue of the journal will contain five sections: (1) an invited keynote article, (2) a selection of peer-reviewed articles, colloquies and short analytical vignettes, (4) contributions to the pedagogy of music theory and analysis, and (5) book reviews, with a focus on transatlantic exchange.

    MTA is the official journal of the Dutch-Flemish Society for Music Theory (Vereniging voor Muziektheorie). It is the successor to the Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie).
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