Christian Prigent views his writing as an effort to expose the 'parler faux' of ambient discourses and condemn the impoverishment of language and ideas by the media industry, in particular. Prigent's later texts work on the principle that the acceleration, intensification and gratification
that characterize an image-driven society result in the disempowerment of its citizens. Prigent responds with a critical poetics that this study endeavours to describe with reference to two texts: Le Monde est marrant (2008) and La Vie moderne (2012). These texts devise techniques
of vocal imitation (which, adopting Gérard Genette's neologism, we call mimological) as a means of addressing those techniques by which the media industry creates credulous and consumption-ready subjects. This critical poetics constitutes a system, it is argued, because it deploys
a limited set of combinations as a way of figuring an aberration of an existing system. Prigent's mimetic system demonstrates how poetry offers a means of grasping the harsh realities of the twenty-first century.
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Document Type: Research Article
December 2, 2017
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The Irish Journal of French Studies is an annual international refereed journal published by the Association des Études Françaises et Francophones d'Irlande. Articles in English, French or Irish are welcomed on any aspect of research in the area of French and Francophone culture, society, literature and thought. Articles published within the last two years are available free online to members and may be purchased by non-members. All other articles are available on an open access basis.
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