Written in French and set largely in the Soviet Union during Thaw and Stagnation, Andreï Makine's Le Testament français (1995) narrates the story of a Russian boy piecing together French history from multifarious sources. By exposing the openness of documents to interpretation,
the absence of objective and rigorously scientific accounts of the past, the possibility of various and potentially contradictory emplotments of the same historical data, and the need for the past to be narrativized, Makine's award-winning novel illustrates many tenets of the postmodern theory
of history and has much in common with the genre of historiographic metafiction as theorized by Linda Hutcheon. However, while being concerned with the hermeneutics and validity of archival traces Makine's award-winning novel breaks — for political reasons, as the article argues —
with the paradigm observed in postmodern historical novels: instead of conservatively using documents to demonstrate radically their unreliability, it uses them to construct an ideologically-driven and largely reactionary historical account whose key objective is to replace Russia on the world's
political map in response to the USSR's collapse and the correlated decline of its authority over its former sphere of influence as well as of its say over world affairs.
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POSTMODERN PHILOSOPHY OF HISTORY;
Document Type: Research Article
Publication date: December 1, 2014
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The Irish Journal of French Studies is an annual international refereed journal published by the Association des Études Françaises et Francophones d'Irlande. Articles in English, French or Irish are welcomed on any aspect of research in the area of French and Francophone culture, society, literature and thought. Articles published within the last two years are available free online to members and may be purchased by non-members. All other articles are available on an open access basis.
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