Review

Rehan Hyder

doi:10.1386/st.5.2.189_5

ISSN: 1751-4193
E-ISSN: 1751-4207

Review
By Rehan Hyder¹
View Affiliations Hide Affiliations

Affiliations: ¹ University of the West of England
Source: Soundtrack, The, Volume 5, Issue 2, Oct 2012, p. 189 - 190
DOI: https://doi.org/10.1386/st.5.2.189_5
Language: English
- Published online: 01 Oct 2012

Previous Article
Table of Contents
Next Article

Abstract

In the Field: The Art of Field Recording, Cathy Lane and Angus Carlyle (2013) Axminster: Uniform Books. 240 pp., ISBN-10: 0956855962, ISBN-13: 978-0956855961 p/bk, £12.00

Article metrics loading...

/content/journals/10.1386/st.5.2.189_5

2012-10-01

2024-04-23

Full text loading...

http://instance.metastore.ingenta.com/content/journals/10.1386/st.5.2.189_5

Article Type: Article

Keyword(s):

Most Cited Most Cited RSS feed

- The Craftsman: The use of sound design to elicit emotions
  
  Authors: Neil Hillman and Sandra Pauletto
- Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema
  
  By Liz Greene
- Sonic motifs, structure and identity in Steve McQueen’s Hunger
  
  By Adam Melvin
- Palimpsest, porosity and subception: The heard and the unheard in Paul Winkler’s Bondi and Sydney Harbour Bridge
  
  By Steven Campbell
- Calls of the wild? ‘Fake’ sound effects and cinematic realism in BBC David Attenborough nature documentaries
  
  By Karen Collins
- Post-production sound: a new production model for interactive media
  
  By Rob Bridgett
- Enlarging the Diegetic Space: Uses of the Multi-channel Soundtrack in Cinematic Narrative
  
  Authors: Christos Manolas and Sandra Pauletto
- The edge of perception: sound in Tarkovsky's Stalker
  
  By Stefan Smith
- Editorial
  
  By Stephen Deutsch
- The sound of Coen comedy: music, dialogue and sound effects in Raising Arizona
  
  By Randall Barnes
More Less

Review

Abstract

Most Read This Month

Most Cited Most Cited RSS feed