Migrant feelings: Melodrama, Babel and affective communities
This article analyses the emotional appeals of Babel (Gonzlez Irruti 2006), a French-US-Mexican co-production about an accident that touches the lives of four families in Morocco, the United States, Mexico and Japan. In its discussion of how the Mexican film-makers infuse an English-language film with the sensibilities of the Mexican melodrama, the essay problematizes recent scholarship on the politics of compassion as well as theoretical propositions about Third World films' singular ability to cognitively map contemporary global relations.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
Document Type: Research Article
Affiliations: Ohio State University.
Publication date: January 1, 2011
More about this publication?
- In 2013, Studies in Hispanic Cinemas, is changing its name to Studies in Spanish & Latin American Cinemas to reflect more accurately its content, which is dedicated to the study of Spanish-speaking and Latin American cinemas, including the cinemas of Spain and Spanish-speaking South, Central and North America including the Caribbean, as well as Brazil.
Our target readership includes students, teachers and scholars. The journal is written in English to maximize the opportunities for contact between academic disciplines such as Media, Film Studies, Latin American and Post-colonial Studies, as well as Hispanic Studies, thereby encouraging an inter- cultural and inter- disciplinary focus.
View the issues of Studies in Spanish & Latin American Cinemas available online
- Editorial Board
- Information for Authors
- Subscribe to this Title
- Intellect Books page
- Ingenta Connect is not responsible for the content or availability of external websites