Ballardian strategies in Blow-Up
This film shares a fascination with the pornography of abstraction that characterizes the ‘condensed novels’ of J. G. Ballard’s The Atrocity Exhibition (1970). Read together, what could be said about a structuralist erotics, the latent content of medical demonstrations, the libidinal economies of the inorganic, the quantifying function of the blow-up?
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Document Type: Research Article
Affiliations: University Centre Doncaster
Publication date: January 1, 2020
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