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Content loaded within last 14 days Editing memory in Remembrance

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Remembrance demonstrates how Alfred, and indeed everyone, must edit memory and sensory information to act with purpose. To accomplish this, the film portrays a character’s struggles with an extreme form of photographic memory, synaesthesia, and newfound convictions through its expressive editing.
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Keywords: Walter Murch; editing; experience; memory; remembering; synaesthesia

Document Type: Research Article

Affiliations: University of Wisconsin-Milwaukee

Publication date: January 1, 2020

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  • Short Film Studies is a peer-reviewed journal designed to stimulate ongoing research on individual short films as a basis for a better understanding of the art form as a whole. In each issue, two or three short films will be selected for comprehensive study, with articles illuminating each film from a variety of perspectives.
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