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The Stage is Set – or is it? – Production by Chris White, Derby Theatre, 20 March 2013

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The aim of the production was to perform the lighting research juxtaposing the historical research with special effects and lighting techniques. It experimented with performance and lighting styles to demonstrate the use of imagination and suggestion, and the emblematic and non-naturalistic in lighting effects from the Renaissance through to the interconnectedness of animation and live performance technologies.
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Keywords: Aesthetics; Appia; Directors and Designers; Effects and projection; Lighting and scenic reform; Lighting controls and design

Document Type: Research Article

Affiliations: University of Derby

Publication date: July 1, 2013

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  • Scene is dedicated to a critical examination of space and scenic production. The journal provides an opportunity for dynamic debate, reflection and criticism. With a strong interdisciplinary focus, we welcome articles, interviews, visual essays, reports from conferences and festivals. We want to explore new critical frameworks for the scholarship of creating a scene.
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