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Film festivals and the mediations of locality

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Abstract

This article elaborates on the discursive role and mediations of local contexts in non-fiction film festivals that are organised in small-town settings in India. It argues that apart from the ideological imperative of forging an alternative discourse, local film festivals that are focused on non-fiction films and documentary cinema are also instrumental in producing an exuberant spatiality for re-articulating resistance as a function of filmmaking. Although this corresponds with the practices of Third Cinema of the 1970s, the temporality of the 2000s has provided a newfound relevance for locality, and its social spatial dimensions. The article develops this argument by undertaking a detailed case analysis of the Ankur Film Festival, conducted in Nashik since 2012. Identifying the numerous negotiations embedded in the trajectory of the film festival, the article also conceptualises a festival mode of cinema for contemporary social conditions.
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Keywords: documentary films; festival mode; film festivals in India; locality; non-fiction cinema; spatial negotiation

Document Type: Research Article

Publication date: October 1, 2019

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  • Studies in South Asian Film and Media (SAFM) is the most promising new journal in the field. This peer-reviewed publication is committed to looking at the media and cinemas of the Indian subcontinent in their social, political, economic, historical, and increasingly globalized and diasporic contexts. The journal will evaluate these topics in relation to class, caste, gender, race, sexuality, and ideology.
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