Skip to main content
padlock icon - secure page this page is secure

Not for you? Ethical implications of archiving zines

Buy Article:

$14.00 + tax (Refund Policy)

The archival value of zines (self-published pamphlets often produced by radical and marginalized communities) as historical records has been well documented in academic research. Red Chidgey refers to zines as ‘sources of advocacy and empowerment for those who make them, an attempt to bear witness to their own lives’. As evidence of networks, cultures, linguistics and experiences of marginalized individuals and communities, zines often exist as the only representation of ephemeral and otherwise undocumented spaces, which makes them incredibly valuable as the primary source material.

Following the establishment of large zine collections at heritage spaces including the Women’s Library, British Library, Wellcome Library and Tate, zines are now regularly collected and used in programming at heritage organizations. But what does it mean to archive and make use of zines – particularly those created by marginalized makers and communities – in an institutional heritage context? This article considers the ethical implications of archiving zine practice and cultures – anti-institutional in its nature – in institutional spaces. Through a case study analysis of the community-led archive project Queer Zine Archive Project, I argue that, if zines are archived, it is imperative that archive workers are critically thinking about and incorporating the originating politics of zine culture into protocols for cataloguing, access, interpretation and use of these materials.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
No Metrics

Keywords: DIY; archives; community heritage; music heritage; music subcultures; punk; zines

Document Type: Research Article

Affiliations: University College London

Publication date: June 1, 2019

More about this publication?
  • Punk & Post-Punk is a journal for academics, artists, journalists and the wider cultural industries. Placing punk and its progeny at the heart of inter-disciplinary investigation, it is the first forum of its kind to explore this rich and influential topic in both historical and critical theoretical terms.
  • Editorial Board
  • Submit a Paper
  • Information for Advertisers
  • Intellect Books page
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more