The precision of sensibility: How to deal with epistemological uncertainty?
Uncertainty is a core issue and – as I would like to argue in this article – also a generative core quality of anthropological sensory practices. Research in particular and epistemologically meaningful endeavours in general are probably not even possible if moments and aspects of uncertainty are excluded or even avoided. Therefore, this article will start in the section ‘The sensory corpus’ with one example of auditory and sensory uncertainty by US-sound artist Maryanne Amacher. This example, the piece ‘Dense Boogie I’, operates directly in the body, in the physical ear of the listeners, and can prove how the listening subject’s idiosyncratic sensibility can be a crucial instrument to proceed in researching and understanding.
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Document Type: Research Article
Affiliations: University of Copenhagen
Publication date: October 1, 2018
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- Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.
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