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Disappearance of the body: An interview with Cécile Bourne Farrell

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In this interview with curator Cécile Bourne Farrell, artist Jananne Al-Ani discusses her aerial films Shadow Sites I (2010) and Shadow Sites II (2011) and the representation of landscape, from the Middle East to the American south-west, in relation to Kitty Hauser’s book Shadow Sites: Photography, Archaeology, & the British Landscape 1927–1955 (2007) a study on the emergence of aerial archaeology and the role of the sun’s movement in materializing latent histories embedded in the landscape. A French translation of the interview first appeared in issue 59 of the journal Multitudes.
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Keywords: Gulf War; Middle East; World War I; aerial archaeology; landscapes of conflict; latent images

Document Type: Research Article

Affiliations: London College of Communication

Publication date: 01 October 2016

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  • Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.
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