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"In a house there is the top floor and there is the cellar. The underground film-makers live in the same house as Hollywood, but they work in the cellar. It’s up to them if they like to live in the dark. The Hollywood filmmakers are more intelligent, because they have that sunny top floor." (Jean-Luc Godard)

Godard’s house might not be an altogether convincing spatial metaphor for the current condition of world film-making, but recent reports are filled with gloomy predictions of the commercial difficulties of non-Hollywood Second and Third Cinemas. Is it the case that commercial film theatres are showing an ever-narrowing range of films, reinforcing the narrowness of audience tastes?
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Document Type: Editorial

Affiliations: De Montfort University, UK

Publication date: 03 March 2003

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  • The journal aims to provide a platform for the study of new forms of cinematic practice and fresh approaches to cinemas hitherto neglected in western scholarship. It particularly welcomes scholarship that does not take existing paradigms and theoretical conceptualisations as given; rather, it anticipates submissions that are refreshing in approach and exhibit a willingness to tackle cinematic practices that are still in the process of development into something new.
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