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From Retrogradism to Post-Gravitational Art and Back

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Dragan Živadinov creates conceptual total works of art that are procedural and processual in nature. At the centre of interest of his art is the spectator, or the gaze, since the essence of this theatre is produced by a constant turning of the perspective. The project(ile) Noordung 1995-2045 has been conceived as a 50-year project to show the instability of the relation between body and technology. It stages itself and thus repeats the drama of the cosmos. A theatre of repetition that again finds the primary (ritual) sense of theatre.
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Keywords: 50-year project(ile) Noordung: 1995-2045; Dragan Živadinov; cosmisation of art and thought; culturalisation of space; post-gravitational theatre; processual conceptual theatre

Document Type: Research Article

Publication date: June 1, 2016

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