The Charles Mather work incentive posters of the 1920s promoted the philosophy of scientific management that just ten years earlier the US Congress deemed reductionist and dehumanizing. In a time where the rise of middle management and the growing faith in the powers of capitalism were
omnipresent, the posters and rhetoric of scientific management made great sense to those in control of big business. Mather’s 78 work posters hung in offices and factories all over the country, and describe what it meant to be efficient, productive and a good member of business society
in the 1920s. As a medium, Mather’s posters served to create and reinforce workplace practices of managers and leaders that would advance 1920s corporation and society. As propaganda, the posters appealed to worker’s attitudes, behaviours, emotions and sense of social belonging.
This study evaluates the rhetoric and themes of Mather’s 71 posters in the 1926‐27 catalogue (the most popular year for the posters). It finds that in a propaganda-like manner, the posters encourage and discourage workplace behaviours that support management at the expense of
workers’ thoughts and self-protection in the form of unionism. Further, as Mather worked to create posters that would influence the workplace ecology, his posters dissolved into the environment. The rhetoric used within the posters became adopted by organization leaders and employees,
thus facilitating the linguistic transition of 1920s corporate society. An evaluation of these posters lends insight into the history of motivational posters and signs within organizational culture. Today, newer motivational posters are hung in offices around the world, with similar intentions
to those of Mather. Because Mather’s posters signify the beginning of motivational posters in the modern western organization, studying the originals could help describe transitions in corporate culture.
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Document Type: Research Article
June 1, 2020
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Journal of Visual Political Communication (formerly known as The Poster) is a forum for debate about the ways in which visual devices are used to form opinion, sway, persuade, provoke, unite and divide us. This peer-reviewed journal invites all scholars and practitioners of visual culture – its social operation, anthropology, philosophy, history, politics and creation – to join with us in an open debate about the ethics, aesthetics, effect and operation of visual rhetoric in the public sphere. A fully refereed and peer-reviewed through a rigorous process conducted by our international Editorial Board and team of Associate Editors, all selected for their ability to bring a unique insight into the applications of visual rhetoric in the public sphere and for their academic strength as researchers.
Formerly published as The Poster (ISSN 2040-3704, Online ISSN 2040-3712)
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