Telling Big Little Lies: Writing the Female Gothic as extended metaphor in Complex Television | Intellect Skip to content
1981
Volume 11, Issue 1
  • ISSN: 1759-7137
  • E-ISSN: 1759-7145

Abstract

This article investigates the writing of the Female Gothic as extended metaphor in the Complex TV series (2017). It builds on my earlier work, ‘Theme and complex narrative structure in HBO’s 2017’ (2019), wherein I applied Porter et al.’s (2002) structuralist narrative tool, the ‘Scene Function Model’, to investigate the way narrative and theme is progressed in complex interweaving stories via the writing of core or ‘kernel’ narrative scenes. Herein, I further investigate storytelling in series TV by proposing the ‘satellite’ narrative scene as a means by which the screenwriter may conceptualize and deploy metaphor to create viewer engagement. First, I consider David E. Kelley’s series screenplay, , as a blueprint for HBO’s televised series. Specifically, I apply theories of Complex TV, Gothic Television and Domestic Noir to consider how Kelley deploys the Female Gothic as extended metaphor to inform formal narrative elements including the pre-titles sequences and flashbacks repeated across episodes.

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2020-03-01
2024-04-23
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