Body-mapping and the Human Spirograph: Performance drawing in Thirdspace
In performance drawing, the dancing body performs within particular kinds of spaces, leaving physical trace marks behind on surfaces such as plastic sheeting or paper. In this article I analyse Tony Orrico’s performance of 8 Circles (2010) to question the relationship between lived body and graphite mark. I draw on Soja’s theory of Thirdspace (1996) to rethink performance drawing as a bridge between different types of knowledge. This understanding of performance drawing reveals liminal spaces of heightened sensory and motor awareness where body, graphite and movement plane combine to become reflections on a body’s energetic flows, manifest as a body-map of somatic practice.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
Document Type: Research Article
Affiliations: The Law Society
Publication date: June 1, 2015
More about this publication?
- This journal focuses on the relationship between dance and somatic practices, and the influence of this body of practice on the wider performing arts. The journal will be aimed at scholars and artists, providing a space for practitioners and theorists to debate the work, to consider the impact and influence of the work on performance, the interventions that somatic practices can have on other disciplines and the implications for research and teaching.
- Editorial Board
- Information for Authors
- Subscribe to this Title
- Intellect Books page
- Ingenta Connect is not responsible for the content or availability of external websites