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The Culture of Curating and the Curating of Culture(S), Paul O’Neill Cambridge, MA: MIT Press (2012), 192 pp., Hardcover, ISBN: 978-0-262-01772-5, US$24.95

Cultures of the Curatorial, Beatrice Von Bismarck, Jörn Schafaff and Thomas Weski (eds) Leipzig: Sternberg Press and Kulturen des Kuratorischen an der Hochschule für Grafik und Buchkunst/Academy of Visual Arts Leipzig (2012), 376 pp., Paperback, ISBN: 978-1-934105-97-9, €19.00

Performing the Curatorial: Within and Beyond Art, Maria Lind (ed.) Berlin: Sternberg Press, Tensta konsthall, ArtMonitor/University of Gothenburg (2012), 162 pp., Paperback, ISBN: 978-1-934105-89-4, €19.00

Curating in the Caribbean, David A. Bailey, Alissandra Cummins, Axel Lapp and Allison Thompson (eds) Berlin: the Green Box (2012), 184 pp., Paperback, ISBN: 978-3-941644-32-8, €15.00

Film, Art, New Media: Museum Without Walls?, Angela Dalle Vacche (ed.) London: Palgrave Macmillan (2012), 336 pp., Hardcover, ISBN: 978-0-230-27292-7, £60.00

Artists’ Magazines: An Alternative Space for Art, Gwen Allen Cambridge, MA: MIT Press (2011), 368 pp., Hardcover, ISBN: 978-0-262015-19-6, US$37.95
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Document Type: Book Review

Affiliations: 1: Tel Aviv University 2: Ph.D. Candidate, University of Ulster 3: Centre for Contemporary Art, Derry-Londonderry 4: York University 5: Institute for Art History, Universidade Nova de Lisboa and Institute for Cultural Studies, Katholieke Universiteit Leuven 6: Independent Critic

Publication date: June 1, 2013

More about this publication?
  • The Journal of Curatorial Studies is an international, peer-reviewed publication that explores the cultural functioning of curating and its relation to exhibitions, institutions, audiences, aesthetics and display culture. The journal takes a wide perspective in the inquiry into what constitutes "the curatorial." Curating has evolved considerably from the connoisseurship model of arranging objects to now encompass performative, virtual and interventionist strategies. While curating as a spatialized discourse of art objects remains important, the expanded cultural practice of curating not only produces exhibitions for audiences to view, but also plays a catalytic role in redefining aesthetic experience, framing cultural conditions in institutions and communities, and inquiring into constructions of knowledge and ideology.
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