Multiple authorship in Anna Karenina (1935): Adapting Tolstoy’s literary classic in the Hollywood studio era | Intellect Skip to content
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Volume 13, Issue 3
  • ISSN: 1753-6421
  • E-ISSN: 1753-643X

Abstract

Among the numerous film adaptations of , the 1935 version produced by David O. Selznick for Metro-Goldwyn-Mayer remains one of the most acclaimed and celebrated – undoubtedly owing to its high production values and the performance and ‘star presence’ of the legendary Greta Garbo. However, the film has also been criticized for distorting and simplifying Tolstoy’s literary classic. In this article, I focus on the process of transposing into the Hollywood screen version, locating causes of the adaptation process in extra-textual factors. Specifically, I address the economic and industry discourse represented by the MGM studio and its house style; the censorship discourse represented by the Production Code Administration, Hollywood’s self-regulatory body headed by Joseph Breen; and the star discourse represented by Garbo. In the process, I identify and describe the industrial, economic and cultural determinants which brought about MGM’s version of Anna Karenina. At the same time, by perceiving Selznick, Breen and Garbo as co-authors of the film, I redefine and complicate the issue of authorship.

Funding
This study was supported by the:
  • The Czech Science Foundation (GA ČR) (Award 17-06451S)
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2020-12-01
2024-04-25
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Multiple authorship in Anna Karenina (1935): Adapting Tolstoy’s literary classic in the Hollywood studio era
Journal of Adaptation in Film & Performance 13, 203 (2020); https://doi.org/10.1386/jafp_00028_1
/content/journals/10.1386/jafp_00028_1
/content/journals/10.1386/jafp_00028_1
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  • Article Type: Article
Keyword(s): adaptation; Anna Karenina; censorship; David O. Selznick; Greta Garbo; Hollywood studio system; Production Code Administration; stars

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