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TraLaLa Blip: Community music for the electronically abled

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This article presents a personal reflection on the use of electronic music as a vehicle for community music in a disability setting. In order to do this, I draw on my experiences as the founder, facilitator, producer, tutor, sound artist and musician of TraLaLa Blip. I established the group in 2008, after having worked with people with disabilities for over fifteen years. From a health worker/music practitioner’s perspective, I describe some of the experiences and understandings I have developed working with this group, with the hope that these insights might be useful to others working with differently abled young people and electronic music in community music settings.
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Keywords: Australia; collaboration; community music; disability setting; electronic music; improvisation; music workshops

Document Type: Research Article

Publication date: March 29, 2012

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  • The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers' notes and special issues concerning all aspects of Community Music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of Community Music practice and theory.
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