Rasa: Exploring the influence of Indian performance theory in drama therapy
The theory and practice of rasa, as prescribed by the Nāyasāstra and expressed within numerous performance art traditions, offers theoretical and practical possibilities for the field of drama therapy. The authors present the concept of rasa and related concepts, describe a workshop that explored two practices inspired by the rasa system, and include feedback from participants. Further research is needed on the use of rasic approaches to increase emotional literacy, affect regulation and empathy.
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Document Type: Research Article
Affiliations: 1: New York University 2: Parivarthan Counselling, Training and Research Centre
Publication date: October 1, 2017
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- Drama Therapy Review (DTR) is committed to documenting and disseminating drama therapy research, promoting scholarship about drama therapy theory and practice, encouraging interdisciplinary dialogue, and providing a forum for lively debate in the field. DTR profiles and critically reflects upon current and emerging practices involving the intentional and therapeutic uses of drama and performance in clinical, educational, community, organizational, and research contexts.
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