Informed by the Goddess: Explicating a processual methodology
This is a self-reflexive approach to practice as research in dance and performance that draws on what Jungian Scholar and feminist Susan Rowland calls a ‘Jungian goddess feminism’ which is a kind of ‘experiment in the imagination’. This methodological and feminist approach is based on previous research into ‘authentic movement’. The article sets out a methodological approach and style of writing for practice as research that embraces and reconfigures ‘the Goddess myth’ by embracing subjectivity for its value that is comparable to and yet different from rationality. There are personal reflections, exercises for the reader and a theoretical frame braided throughout the article. Through this Bacon reflects on her doctoral studies to question why the emerging ‘spiritual’ aspects apparent in herself through her engagement with her fieldsite were not explored more deeply. A post-Jungian feminist frame of reference enables both a reconfiguring of essentialist readings of ‘Goddess’ and a theoretical space where spirituality is named, embraced and from which new understandings for practice as research in dance and performance can emerge.
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Document Type: Research Article
Affiliations: University of Chichester
Publication date: January 1, 2017
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- Research into spirituality receives comparatively little attention in western dance practices but Dance, Movement & Spiritualities provides a platform for those practitioners and researchers who are actively and creatively working with spirituality at the centre of their practice/research. Contributions are invited from across disciplines.
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