Skip to main content
padlock icon - secure page this page is secure

Wang was missing: Rediscovering Wayne Wang’s independence

Buy Article:

$14.00 + tax (Refund Policy)

Wayne Wang (1949–present) occupies a unique position among Chinese American directors working in the United States as he has enjoyed a long and productive career spanning more than 30 years. Unlike most filmmakers, Wang has moved back and forth between independent filmmaking with experimental characteristics and mainstream commercial Hollywood productions. After early success with his pioneering Chinese American film Chan is Missing (Wang, 1982), audiences and film critics were wondering what happened to the ‘independent’ after a string of several commercial Hollywood films during the early 2000s. In 2007 and 2008, Wang returned to independent film production with A Thousand Years of Good Prayers (2007) and even formal experimentation in The Princess of Nebraska (2008). Both films benefit from violations of mainstream Hollywood film form in the areas of editing, subtitling, camera, mise-en-scène and narrative. Wang could realize these projects through innovative financing using the strategy of shadow film and pioneering new approaches to distribution by premiering The Princess of Nebraska on YouTube.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
No Metrics

Keywords: Asian American film; Chinese American; Hollywood; Wayne Wang; YouTube; experimental film; immigration; independent film

Document Type: Research Article

Affiliations: The University of Hong Kong

Publication date: April 1, 2018

More about this publication?
  • Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
  • Editorial Board
  • Information for Authors
  • Submit a Paper
  • Subscribe to this Title
  • Information for Advertisers
  • Recommend to your Library
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more