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The New Age of Asian Animation

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Asian animation is in the throes of change—rapid change—with shifts in loci and methods of production that have turned the field upside down. No longer is animation the exclusionary domain of East Asia, no longer is it produced almost solely for overseas clients, no longer does it depend only on traditional materials of production. In the past five years, India has become a large production center of animation; service companies have entered coproduction agreements and have begun to make domestic fare, and increasingly, computers have wholly or partly replaced cel and other means of production.
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Keywords: Asia; China; India; Japan; South Korea; animation; computers; production

Document Type: Research Article

Publication date: March 1, 2003

More about this publication?
  • Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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