Asian Filmmakers Moving into Hollywood: Genre Regulation and Auteur Aesthetics
In the past few years, there has been a notable change of Asian representation in Hollywood. For one thing, Asian actors have gradually moved into Hollywood as a result of their recognition in films such as The Corrupter (1999), Rush Hour (1998), Lethal Weapon 4 (1998), and Tomorrow Never Dies (1997). Asian actors such as Jackie Chan, Jet Li, Michelle Yeoh, and Yun-Fat Chow have all been able to walk through the door of Hollywood. And as a result of the box office success of their debut films, these actors have established themselves as stars in the world's biggest film industry.
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Document Type: Research Article
Publication date: March 1, 2000
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- Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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