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The Third Stage-house in Plautus and Terence

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A. FRICKENHAUS argued that in Plautus' Pseudolus and Stichus and Terence's Heauton Timorumenos, Hecyra and Phormio the Latin dramatist was responsible for a third stagehouse, whereas the Greek models of these plays had only two, the norm for New Comedy. FRICKENHAUS' unjustly neglected arguments are here revived and reinforced. It is also argued that Plautus' Cistellaria and Trinummus are further cases of the same phenomenon.
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Document Type: Research Article

Publication date: April 1, 2016

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  • Hermes, founded in 1866 and currently edited by Siegmar Döpp, Karl-Joachim Hölkeskamp and Adolf Köhnken, is an international, peer-reviewed journal on Greek and Roman antiquity. It focuses on linguistics, literature as well as history. It features original articles in English, German, French and Italian.
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