A New Method for the Radiation Representation of Musical Instruments in Auralizations
A new method for the representation of sound sources that vary their directivity in time in auralizations is introduced. A recording method with multi-channel anechoic recordings is proposed in connection with the use of a multiple virtual source reproduction system in auralizations. Listening experiments designed to validate the quality of the reproduction method compared with a fixed directivity representation have showed that there is a clear improvement in the timbral quality of the reproduced sound. The improvement represented by the system regarding the spaciousness of sound did not prove to be significant. Further applications of the method are considered for ensembles within room auralizations as well as in the field of studio recording techniques for large instruments. A part of this article was published previously in .
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Document Type: Research Article
Publication date: September 1, 2005
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- Acta Acustica united with Acustica, published together with the European Acoustics Association (EAA), is an international, peer-reviewed journal on acoustics. It publishes original articles on all subjects in the field of acoustics, such as general linear acoustics, nonlinear acoustics, macrosonics, flow acoustics, atmospheric sound, underwater sound, ultrasonics, physical acoustics, structural acoustics, noise control, active control, environmental noise, building acoustics, room acoustics, acoustic materials, acoustic signal processing, computational and numerical acoustics, hearing, audiology and psychoacoustics, speech, musical acoustics, electroacoustics, auditory quality of systems. It reports on original scientific research in acoustics and on engineering applications. The journal considers scientific papers, technical and applied papers, book reviews, short communications, doctoral thesis abstracts, etc. In irregular intervals also special issues and review articles are published.
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