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Influences of the Pulsation Threshold Method on Psychoacoustical Tuning Curves

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The pulsation threshold method, introduced by Houtgast [1], allows the recording of psychoacoustical tuning curves without the falsifying influences of beats and combination tones. The shape of the psychoacoustical tuning curves depends on the presentation conditions of the signals, particularly on pulse durations longer than 175 ms or shorter than 80 ms, on gaps longer than about 12 ms, and on levels of the test tone higher than 50 dB SL. Possible reasons are cited.
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Document Type: Research Article

Publication date: February 1, 1977

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  • Acta Acustica united with Acustica, published together with the European Acoustics Association (EAA), is an international, peer-reviewed journal on acoustics. It publishes original articles on all subjects in the field of acoustics, such as general linear acoustics, nonlinear acoustics, macrosonics, flow acoustics, atmospheric sound, underwater sound, ultrasonics, physical acoustics, structural acoustics, noise control, active control, environmental noise, building acoustics, room acoustics, acoustic materials, acoustic signal processing, computational and numerical acoustics, hearing, audiology and psychoacoustics, speech, musical acoustics, electroacoustics, auditory quality of systems. It reports on original scientific research in acoustics and on engineering applications. The journal considers scientific papers, technical and applied papers, book reviews, short communications, doctoral thesis abstracts, etc. In irregular intervals also special issues and review articles are published.
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