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Home / New Review of Film and Television Studies, Volume 10, Number 1

Publisher: Routledge, part of the Taylor & Francis Group

Volume 10, Number 1, 1 March 2012

Wes Anderson: a ‘smart’ director of the new sincerity?
pp. 1-5(5)
Author: Buckland, Warren

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Wes Anderson, tone and the quirky sensibility
pp. 6-27(22)
Author: MacDowell, James

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‘Same old song’: on audio-visual style in the films of Wes Anderson
pp. 28-45(18)
Authors: Boschi, Elena; McNelis, Tim

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‘I'm just a character in your film’: acting and performance from autism to Zissou
pp. 46-67(22)
Author: Peberdy, Donna

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A certain age: Wes Anderson, Anjelica Huston and modern femininity
pp. 68-82(15)
Author: Felando, Cynthia

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Wes Anderson and the city spaces of indie cinema
pp. 83-96(14)
Author: Kredell, Brendan

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Framing the ‘melancomic’: character, aesthetics and affect in Wes Anderson's Rushmore
pp. 97-117(21)
Author: Thomas, Deborah J.

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Nostalgically man dwells on this earth: objects and domestic space in The Royal Tenenbaums and The Darjeeling Ltd
pp. 118-131(14)
Author: Baschiera, Stefano

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Balancing act: exploring the tone of The Life Aquatic with Steve Zissou
pp. 132-151(20)
Author: Gibbs, John

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‘This is an adventure’: The Life Aquatic with Steve Zissou and the spectacle of nature documentary
pp. 152-168(17)
Author: O'Grady, David

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Fantastic Mr Filmmaker: paratexts and the positioning of Wes Anderson as Roald Dahl's cinematic heir
pp. 169-185(17)
Author: Dorey, Tom

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Wes Anderson: Why his Movies Matter
pp. 186-188(3)
Author: Buckland, Warren

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