ISSN 1050-9208 (Print); ISSN 1543-5326 (Online)
Publisher: Routledge, part of the Taylor & Francis Group
Real Monster/Fake Auteur: Humor, Hollywood, and Herzog in Incident at Loch Ness pp. 353-364(12) Author: Herbert, Daniel
Michael Powell, Actors and Englishness: Some Late Reflections pp. 365-371(7) Author: McFarlane, Brian
Controversy and Compromise in the Code's Waning Years: Hollywood Takes a Walk on the Wild Side pp. 372-384(13) Author: Filippo, Maria San
Reclaiming Alfred Hitchcock Presents pp. 385-392(8) Author: Erish, Andrew
Dimension Films and the Exploitation Tradition in Contemporary Hollywood pp. 393-405(13) Author: Schauer, Bradley
Revenge of the Patriarchy: Is Big Love Big Enough? pp. 406-414(9) Author: Andreasen, Liana Vrajitoru
Electronic Enlightenment or the Digital Dark Age? Anticipating Film in an Age Without Film pp. 415-424(10) Author: Enticknap, Leo
Light, Looks, and The Lodger pp. 425-433(9) Author: Pomerance, Murray
Andrei Tarkovsky: Elements of Cinema by Robert Bird. London: Reaktion Books Ltd, 2008 pp. 434-438(5) Author: Vardsveen, Trace
The Philosophy of Motion Pictures by Noël Carroll. Malden, MA: Blackwell Publishing, 2008 pp. 438-441(4) Author: Manis, Shelley
Mining the Home Movie: Excavations in Histories and Memories by Karen L. Ishizuka and Patricia R. Zimmermann. Berkeley: University of California Press, 2008 pp. 441-444(4) Author: White, Kenneth
The Persistence of Whiteness: Race and Contemporary Hollywood Cinema, edited by Daniel Bernardi. London: Routledge, 2008 pp. 444-451(8) Author: Foster, Gwendolyn Audrey
American Cinema of the 1960s: Themes and Variations, Barry Keith Grant, ed. New Brunswick, NJ: Rutgers University Press, 2008 pp. 452-455(4) Author: Herbert, Daniel
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