Brian Ferneyhough's etudes transcendantales
This article explores Brian Ferneyhough's song cycle Etudes Transcendantales and seeks to situate the work both as an important stage in the composer's output as a whole and as a seminal part of the seven-work cycle Carceri d'invenzione .
Keywords: Piranesi; compositional technique; cycles/movements; form; instrumentation; music/text
Document Type: Research Article
Publication date: January 1, 2001
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