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Home / Social Semiotics, Volume 26, Number 4

Publisher: Routledge, part of the Taylor & Francis Group

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Volume 26, Number 4, 7 August 2016

The expanding galaxy of performing arts: extending theories and questioning practices
pp. 325-340(16)
Authors: Sindoni, Maria Grazia; Wildfeuer, Janina; O’Halloran, Kay L.

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Semiotics and performing arts: contemporary issues
pp. 341-350(10)
Author: Helbo, André

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From page to virtual stage: a socio-semiotic reading of stage directions
pp. 351-365(15)
Author: Moghaddam, Nita M.

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When cinema borrows from stage: theatrical artifice through indexical explicitness in The Cook, the Thief, His Wife and Her Lover and Dogville
pp. 366-384(19)
Author: Piazza, Roberta

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“Un nodo avviluppato”. Rossini’s La Cenerentola as a prototype of multimodal resemiotisation
pp. 385-403(19)
Authors: Sindoni, Maria Grazia; Rossi, Fabio

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From book to stage to screen: semiotic transformations of Gothic horror genre conventions
pp. 404-423(20)
Authors: Tan, Sabine; Wignell, Peter; O’Halloran, Kay L.

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Reading aloud as performance and its representation on television programmes for children
pp. 424-444(21)
Authors: Zhang, Kunkun; Djonov, Emilia; Torr, Jane

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Penetrating spaces: a social semiotic, multimodal analysis of performance as rape prevention
pp. 445-463(19)
Authors: McMurtrie, R. J.; Murphy, A.

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