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Open Access Sound im Hörfunk. Zur Praxis des Radio-Sounddesign

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Radio analysis usually concentrates on radio content. Nevertheless, radio professionals invest a lot of effort in shaping the sound of radio programmes. In this article, I explore two dimensions of sound work that is done by radio practitioners: sound design and sound processing. The former is performed by sound designers as well as producers, technicians and presenters/DJs. They all deal with the time structure by shaping music, spoken word and ,jingles’ into an audio flow. In particular, I suggest a model of analysis that examines foreground sounds and background sounds separately to identify a perceivable density of radio programmes. The second dimension of sound work applies to the sound texture and aims at creating a distinguishable sound compared to other stations on the same market.
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Document Type: Research Article

Publication date: 01 January 2017

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  • Die Zeitschrift SPIEL. Neue Folge ist eine internationale Zeitschrift, die sich allen Themen und Fragen der Medien- und Kulturwissenschaften widmet. Dabei spielt eine besondere Rolle, dass die in SPIEL. Neue Folge behandelten Fragen und Antworten dazu beitragen, die theoretischen, methodischen und methodologischen Perspektiven der medienkulturwissenschaftlichen Forschung zu erweitern und zu verbessern.

    SPIEL. Neue Folge is an international academic journal dedicated to a wide range of topics and research questions in the discipline of Culture and Media Studies. In particular, SPIEL. Neue Folge aims to publish research that addresses theoretical and methodological questions and that helps to broaden, advance and improve existing research approaches to the discipline.

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