@article {:2015:2295-5917:111,
title = "Book Reviews",
journal = "Music Theory and Analysis (MTA)",
parent_itemid = "infobike://leuven/mta",
publishercode ="leuven",
year = "2015",
volume = "2",
number = "1",
publication date ="2015-05-29T00:00:00",
pages = "111-126",
itemtype = "ARTICLE",
issn = "2295-5917",
eissn = "2295-5925",
url = "https://www.ingentaconnect.com/content/leuven/mta/2015/00000002/00000001/art00006",
doi = "doi:10.11116/MTA.2.1.6",
keyword = "SCHUBERT, HAYDN, BOOK REVIEW",
abstract = "Felix Diergarten."Jedem Ohre klingend": Formprinzipien in Haydns Sinfonieexpositionen. Laaber: Laber Verlag, 2012. ISBN 9783890076010. 235 pp. Spanning five decades and over 100 works, Joseph Haydn's corpus of music for orchestra spans a tumultuous time in the history of musical
form. [...] Lauri Suurp{\"a}{\"a}. Death in Winterreise: Musico-Poetic Associations in Schubert's Song Cycle. Bloomington: Indiana University Press, 2014. ISBN 9780253011008. 224 + xi pp. There are certain things that all studies of Schubert's Winterreise seem to have
to rehearse: its genesis from the various layers in the publication of Wilhelm M{\"u}ller's poems to the first edition of Schubert's setting, the vexed question of whether or not Schubert's cycle expresses a narrative, and the equally vexed question of whether or not the keys of the songsin
their various transpositions in the journey from manuscript to publicationexhibit an overarching tonal unity. [...]",
}