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IMAGINACIÓN MARINA Y ARCHIPÉLICA DE RAÚL RUIZ: Les trois couronnes du matelot (1983)

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Raúl Ruiz has long been considered the most important among Chilean film directors. Central to his artistic biography was his childhood in the Chiloé archipelago and the exile in Paris during the Pinochet regime. He produced more than 100 films in both Chile and France and this article characterizes an archipelagic aesthetics comprised of the director's biography and his cinematic thought to analyze his representation of the sea in Les trois couronnes du matelot (1983). Following Gaston Bachelard's sense of the relationship of water to human dreams and subconscious desire, the article advances the argument that the sea in Ruiz's film provided him a spiritual connection to his Chilean homeland, despite the separation of exile.
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Document Type: Research Article

Publication date: June 1, 2019

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  • Romanische Forschungen is one of the oldest German academic journals dedicated to the study of the Romance languages, their literatures, and cultures from all periods. Its editors and editorial board emphasize the interrelatedness of linguistics and literary studies and encourage the submission of articles and reviews with a focus on the Romance world as a whole. Romanische Forschungen publishes in all the major Romance languages, German and English.

    Die Romanischen Forschungen sind eine der ältesten deutschen Fachzeitschriften. Ihr Gegenstand sind die romanischen Sprachen, Literaturen und Kulturen von den Anfängen bis zur Gegenwart. Herausgeber und Beirat pflegen die Verbindung von Sprach- und Literaturwissenschaft und bevorzugen Beiträge und Rezensionen mit einer gesamtromanischen Fragestellung. Die Publikationssprachen sind außer allen romanischen Sprachen das Deutsche und Englische.
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