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»Un Coreógrafo De Escenas Amorosas«

Die Theorie der Verführung oder Verführung als Theorie in der Décadence und im Modernismo

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The article examines – based on Tirso de Molinas archetype Don Juan in El burlador de Sevilla y convidado de piedra (around 1620) – how Don Juan is transformed and gets closer to the aesthetical composition of the figure of the dandy at the end of the 19th and the beginning of the 20th century in French and Spanish literature (illustrated and analysed by Ramón del Valle-Inclán's narrative cycle Sonatas [1902–1905] and Jules Barbey d'Aurevilly's tale Le plus bel amour de Don Juan, 1842). These, in comparison to former interpretations, innovative approaches to the myth of Don Juan and his literary-aesthetic transpositions in Modernismo and Décadence are illustrated and elaborated on the motif of seduction.
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Language: German

Document Type: Research Article

Publication date: June 1, 2017

More about this publication?
  • Romanische Forschungen is one of the oldest German academic journals dedicated to the study of the Romance languages, their literatures, and cultures from all periods. Its editors and editorial board emphasize the interrelatedness of linguistics and literary studies and encourage the submission of articles and reviews with a focus on the Romance world as a whole. Romanische Forschungen publishes in all the major Romance languages, German and English.

    Die Romanischen Forschungen sind eine der ältesten deutschen Fachzeitschriften. Ihr Gegenstand sind die romanischen Sprachen, Literaturen und Kulturen von den Anfängen bis zur Gegenwart. Herausgeber und Beirat pflegen die Verbindung von Sprach- und Literaturwissenschaft und bevorzugen Beiträge und Rezensionen mit einer gesamtromanischen Fragestellung. Die Publikationssprachen sind außer allen romanischen Sprachen das Deutsche und Englische.
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