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Assessing the Effects of Gamut Compression in the Reproduction of Fine Art Paintings

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This paper describes the results of experiments carried out at the National Gallery in London, comparing original paintings with printed colour reproductions made by processing digital images captured by a high resolution digital camera. A pairwise comparison method was used for three paintings under several different illumination conditions with a panel of observers. The results indicate that the optimum choice of colour gamut mapping procedure depends on the pictorial content of the painting.
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Document Type: Research Article

Publication date: January 1, 1995

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  • CIC is the premier annual technical gathering for scientists, technologists, and engineers working in the areas of color science and systems, and their application to color imaging. Participants represent disciplines ranging from psychophysics, optical physics, image processing, color science to graphic arts, systems engineering, and hardware and software development. While a broad mix of professional interests is the hallmark of these conferences, the focus is color. CICs traditionally offer two days of short courses followed by three days of technical sessions that include three keynotes, an evening lecture, a vibrant interactive (poster) papers session, and workshops. An endearing symbol of the meeting is the Cactus Award, given each year to the author(s) of the best interactive paper; there are also Best Paper and Best Student Paper awards.

    Please note: for Purposes of its Digital Library content, IS&T defines Open Access as papers that will be downloadable in their entirety for free in perpetuity. Copyright restrictions on papers vary; see individual paper for details.

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