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‘The Fallow Narratives’ and The Pier: Writing for comics within transmedia storytelling

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Storytelling across media presents a variety of concerns for the practitioner in terms of production and consumption, for transmedia storytelling expands a story across a variety of media within some consistent storyworld, often to enhance and integrate the experience of the audience/user/player. This expansion does not necessarily adapt the same story to generate interrelated narratives within a cohesive cosmos – narratives may be perceived and engaged with separately, and yet may also advance a larger consistent story. ‘The Fallow Narratives’ is a transmedia storytelling project currently being developed at the University of South Wales to explore narrative and the transformation of story across media, and examine what creative writing, particularly scriptwriting, may reveal of its production related media. The themes of identity, memory and perception are explored within each story across the project, told through: Fallow (animation), The Pier (comic), Desistance (video game), The Deep Machine (songs), Observance (journal), dell’ Arte (mixed media), Stain (music video) and The Quay (novel). The Pier tells the story of a boy, Casper Fallow, who loses his younger brother in a late night fire at a pier where they had gone to imagine and play out a Punch and Judy show. It is the story of his subsequent healing and harmful journeys after he is taken to a sanatorium, his release, and his years as a Punch and Judy puppet maker and storyteller. Through exploring the development of ‘The Fallow Narratives’ this article will discuss the process of writing for comics while considering a transmedia cosmology, and through examining the creation of The Pier what this may reveal of comics as image and language text.
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Keywords: Fallow Narratives; Punch and Judy; The Pier; comics; transmedia storytelling; writing across media

Document Type: Research Article

Affiliations: University of South Wales

Publication date: April 1, 2013

More about this publication?
  • Studies in Comics aims to describe the nature of comics, to identify the medium as a distinct art form, and to address the medium's formal properties. The emerging field of comics studies is a model for interdisciplinary research and in this spirit this journal welcomes all approaches. This journal is international in scope and provides an inclusive space in which researchers from all backgrounds can present new thinking on comics to a global audience. The journal will promote the close analysis of the comics page/text using a variety of methodologies. Its specific goal, however, is to expand the relationship between comics and theory and to articulate a "theory of comics". The journal also includes reviews of new comics, criticism, and exhibitions, and a dedicated online space for cutting-edge and emergent creative work.

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