Studies in Musical Theatre

Studies in Musical Theatre

ISSN: 1750-3159
E-ISSN: 1750-3167

Studies in Musical Theatre is a refereed journal which considers areas of live performance that use vocal and instrumental music in conjunction with theatrical performance as a principal part of their expressive language.

Journal Status	Active
Collection(s)	Intellect Music Collection 2022 Intellect Music Collection 2024 Intellect Music Collection 2023 Intellect Performing Arts Collection 2023 Intellect Full Collection 2022 Intellect Full Collection 2024 Intellect Full Collection 2023 Intellect Performing Arts Collection 2022 Intellect Performing Arts Collection 2024

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- ‘Is this what it takes just to make it to Broadway?!’: Marketing In the Heights in the twenty-first century
  
  By Elizabeth Titrington Craft
- Hamilton’s women
  
  By Stacy Wolf
- Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y
  
  By George Rodosthenous
- West Side Story and The Music Man: whiteness, immigration, and race in the US during the late 1950s
  
  By Carol J Oja
- The performance of discipline on Broadway
  
  By Susan Russell
- The revocalization of logos? Thinking, doing and disseminating voice
  
  By Konstantinos Thomaidis
- Just another Puerto Rican with a knife? Racism and reception on the Great White Way
  
  By Judith A Sebesta
- Musicality as a paradigm for the theatre: a kind of manifesto
  
  By David Roesner
- ‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in Six
  
  By Grace Barnes
- Embodying history: Casting and cultural memory in 1776 and Hamilton
  
  By Elissa Harbert
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Studies in Musical Theatre

Latest Articles Lasest articles RSS feed

Kaddish for Steve: On the Jewishness of Sondheim¹

In my life, it was a good thing

Sondheim at the disco

An interview with John Doyle¹

Worthy of your love: Queerness and ghosting in Assassins and Company

Jewish summer camp theatre and Sondheim, the Talmudic scholar

‘A Weekend in the [Texas Hill] Country’ and Sondheim’s invitation to play

‘Beauty is power, longing a disease’: Asexuality and disability readings of Passion

‘Anyone can whistle’ Sondheim: The intellectual autobiography of a Sondheim studies scholar

Encountering Road Show

Most Read This Month

Most Cited Most Cited RSS feed

‘Is this what it takes just to make it to Broadway?!’: Marketing In the Heights in the twenty-first century

Hamilton’s women

Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y

West Side Story and The Music Man: whiteness, immigration, and race in the US during the late 1950s

The performance of discipline on Broadway

The revocalization of logos? Thinking, doing and disseminating voice

Just another Puerto Rican with a knife? Racism and reception on the Great White Way

Musicality as a paradigm for the theatre: a kind of manifesto

‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in Six

Embodying history: Casting and cultural memory in 1776 and Hamilton