Studies in Musical Theatre

Editorial
pp. 3-6(4)
Authors: Edney, Kathryn; MacDonald, Laura

What a crescendo – not to be missed: Loudness on the musical stage
pp. 7-17(11)
Author: Valencia, Brian D.

The rock star figure: Authenticity, satire and legacy in Bloody Bloody Andrew Jackson (2010)
pp. 19-36(18)
Author: Noonan, Julie A.

‘What’s bigger than a standing ovation?’: Intimacy and spectacle at the Tony Awards
pp. 37-53(17)
Author: Sedgman, Kirsty

Broomsticks and barricades: Performance, empowerment, and feeling in Wicked and Les Misérables
pp. 55-67(13)
Author: Blair, Kelsey

Too big for Broadway?: The limits of historical and theatrical empathy in Parade and The Scottsboro Boys
pp. 69-79(11)
Author: Stahl, Megan

‘Only the last song if we let it be’: Dancer in the Dark, The Sound of Music and song and dance as traumatic container
pp. 81-92(12)
Author: Joseph, Rachel

Embracing excess: The queer feminist power of musical theatre diva roles
pp. 93-103(11)
Author: Dvoskin, Michelle

Little steps: The absurdity of A Chorus Line
pp. 105-115(11)
Author: Herrera, Brian Eugenio

‘A Rainbow in Ev’ry Pot’: Southern excess, racial liberalism, and living large in Harburg and Lane’s Finian’s Rainbow
pp. 117-132(16)
Author: Bringardner, Chase

‘There’s gotta be something better than this’: Challenging the role of big emotion in the transition from speech to song
pp. 133-141(9)
Author: Gow, Sherrill

Book Reviews
pp. 143-151(9)
Authors: Block, Geoffrey; Purin, Peter; Robbins, Hannah; Stilwell, Robynn J.

Books Received
pp. 153-153(1)