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Punk Pedagogies: Music, Culture and Learning, Gareth Dylan Smith, Mike Dines and Tom Parkinson (eds) (2017) London: Routledge, 236 pp., ISBN: 978-1-13827-988-9, p/bk, £29.99

The Punk Reader: Research Transmissions from the Local and the Global, Mike Dines, Alastair ‘Gords’ Gordon and Paula Guerra (eds) (2017) Porto: University of Porto Press and the Punk Scholars Network, 328 pp., ISBN: 978-9-89864-879-2, p/bk, £50

International Anthem, Gee Vaucher (2018) London: Exitstencil Press, 132 pp., ISBN: 978-0-94638-117-3, p/bk, £35.00

All Gates Open: The Story of Can, Rob Young and Irmin Schmidt (2018) London: Faber, 572 pp., ISBN: 978-0-57131-149-1, h/bk, £25.00

Hard-Core: Life Of My Own, Harley Flanagan (2016) Port Townsend, WA: Feral House, 444 pp., ISBN 978-1-62731-033-8, p/bk, $23.95

The Punk Turn in Comedy: Masks of Anarchy, Krista Bonello Rutter Giappone (2018) Basingstoke: Palgrave Macmillan, 254 pp., ISBN: 978-3-31973-840-7, h/bk, £75
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Document Type: Book Review

Affiliations: 1: Sussex University 2: Bishop Grosseteste University 3: Independent Researcher 4: Falmouth University 5: Independent Scholar 6: Reading University

Publication date: October 1, 2018

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  • Punk & Post-Punk is a journal for academics, artists, journalists and the wider cultural industries. Placing punk and its progeny at the heart of inter-disciplinary investigation, it is the first forum of its kind to explore this rich and influential topic in both historical and critical theoretical terms.
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