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Visibilities of Exchange Across Forms: A Case Study of The House Of Mirth

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This comparative reading of Edith Wharton’s The House of Mirth (1905) and Terence Davies’ film adaptation (2000) examines how different media make visible inequities of exchange and belie ideals of collectivity and democracy.
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Keywords: American Studies; Edith Wharton; Film adaptation; democracy; exchange economics; image studies; labour; modernist novel

Document Type: Research Article

Affiliations: University of Alberta

Publication date: June 1, 2017

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