Documents of Doubt: The Photographic Conditions of Conceptual Art, Heather Diack (2020) | Intellect Skip to content
1981
Volume 11, Issue 1-2
  • ISSN: 2040-3682
  • E-ISSN: 2040-3690

Abstract

Review of: , Heather Diack (2020)

Minneapolis, MN: University of Minnesota Press, 296 pp.,

ISBN 978-1-51790-757-0, p/bk, $30.00

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/content/journals/10.1386/pop_00035_5
2020-06-01
2024-04-25
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References

  1. Camnitzer, L.,, Farver, J.,, Weiss, R., and Beke, L.. (eds) ( 1999), Global Conceptualism: Points of Origin, 1950s–1980s, New York:: Queens Museum of Art;.
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  2. Laidlaw, J.. ( 2014), The Subject of Virtue: An Anthropology of Ethics and Freedom, Cambridge:: Cambridge University Press;.
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  3. Osborne, P.. ( 1989;), ‘ Aesthetic autonomy and the crisis of theory: Greenberg, Adorno and the problem of postmodernism in the visual arts. ’, New Formations: A Journal of Culture/Theory/Politics, 9,Autumn, pp. 3150.
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  4. Osborne, P.. ( 2018), The Postconceptual Condition, London:: Verso;.
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  5. Sutherland, Z.. ( 2016;), ‘ The world as gallery: Conceptualism and global neo-avant-garde. ’, New Left Review, 98, pp. 81111.
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  • Article Type: Other review
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