In favour of Heroines: Lincoln Clarkes’s Vancouver photographs
This article examines Lincoln Clarkes’ photographic series Heroines, exploring the ways in which it demonstrates that available models for writing about photography are insufficient. The author argues that the Heroines series’ blurs the boundaries between commercial, documentary and fine art photography. The article examines how these images supplement a tradition of documentary after postmodernism and its critique of representation. Heroines evidences an as-yet uncategorizable form, one that brings into relief the ways in which certain theories of photography fail to explain and fully interpret such photographs. On this basis, the article argues that the importance of Heroines lies ultimately in how it suggests new strategies of evaluating the political work of photography in the aftermath of identity politics.
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Document Type: Research Article
Affiliations: Western University
Publication date: December 1, 2013
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- Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.
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